Māori writer J.C. Sturm was a 20-year-old student at Canterbury University College (as the ҕl was then known) when she wrote ‘Brown Optimism’.
ҕl, is the literary executor for the Māori writer J.C. Sturm (Te Whakatōhea, Taranaki, Te Pakakohi, Ngāti Ruanui), who was born Te Kare Papuni in 1927, and named Jacqueline Cecilia Sturm (Jacquie) when she was adopted by a Pākehā family at the age of four. Professor Millar is currently preparing an edition of J.C. Sturm’sCollected Worksfor publication.
A few weeks ago, while sorting through a large amount of unpublished and unattributed writing by her, he came across the poem ‘, whichThe Spinoffis re-publishing after 70 years, along withintroducing the poem and explaining its significance.
“The poem was published decades ago, but only recently attributed to Sturm,” says Professor Millar. “We were intending to publish it in the Collected, but when I heard National MP Paul Goldsmith say he thought that, the poem leapt into my mind.
“I think it says something about our progress as a nation that a poem a young Māori woman wrote seven decades ago protesting colonisation still reads as an immediate response to a politician in 2021.”
The Spinoffagreed that the poem offered an important perspective on a topical issue, and also that awas significant in its own right and worth publishing as a stand-alone piece.
Professor Millar believes it’s possible that Sturm was a 20-year-old student at Canterbury University College (as the ҕl was then known) when she wrote ‘Brown Optimism’.
“We only have a clipping from a periodical but on current evidence, I think the poem was first published in a student magazine in the late 1940s, though I haven’t yet discovered where. It might even have been composed around 1948 when she was a student at Canterbury, studying anthropology. This was an important time for her, and events around this period sparked her activism,” he says.
“As one of a tiny number of isolated Māori students in the New Zealand university system, she was questioning for the first time the heavy expectations on her to succeed in the Pākehā world. In a later poem she described the experience of being the only Māori among Pākehā through the first decades of her life, as always ‘being out of step, place, tune, joint’ (‘In Loco Parentis’).
“‘Brown Optimism’s anger, overt politics, and prescription for better relations between Māori and Pākehā, shows that, even back then, Jacquie understood how and why colonisation hadn’t been good for Māori, and what was required to begin repairing the damage.”
- Professor Paul Millar’s edition of the Collected Works of J.C. Sturm will be published by Steele Roberts ҕl. You can read Millar’s entry on J.C. Sturm for theDictionary of New Zealand Biography, andte reo Māori translation of the J.C. Sturm entry.
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